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Mata Ortiz or Casas Grandes Pottery
Mata Ortiz, a village
in the Northern Mexican state of Chihuahua, is renowned for its
elegant pottery, yet it was only a generation ago that this long-lost
tradition was resurrected.
As a boy, Juan Quezada
was fascinated by the shards of pottery he found in the hills near
his village, remnants from pre-Columbian times (also similar to
those found in the American Southwest). He studied both technique
and image, and through practice his pots became marvels that were
soon swept up by collectors. Over time he began teaching others
in the village, who quickly developed their own styles and techniques.
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Nuestra
Tierra selects pottery from the most skilled artisans of the Mata
Ortiz. Pots are selected for their simple, symmetrical forms; delicate
painting and originality. We also offer several books and videos
on the artisans, process and history of Mata Ortiz pottery.
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ORTIZ ARTISTS: |
Humberto & Blanca Ponce
Leonel Lopez
Juan Quezada
Nicolas Quezada |
Noe Quezada
Reynaldo Quezada
Pilo Mora
Ruben Rodriguez |
Eduardo Ortiz
Ma. de Jesus Olivas
Armando Rodriguez
Rosa Loya |
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Cocuchas
Cocuchas are large earthen pots created in the
remote Purepecha Indian village of Cocucho in the Mexican state
of Michoacan.
Native artists from Cocucho (typically women)
use a primitive North African technique taught to their ancestors
by the Catholic Church 300 years ago.
This distinctive pottery is hand formed in coils,
charcoal pit fired and hand rubbed to create the primitive and elegant
surfaces that distinguish them. The size, shape and surface of each
piece are free formed by the artist, using nothing but her hands
and vision.
Click
here for pricing, history and technique.
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| COCUCHAS
ARTISTS: |
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| Felicana
Molina |
Lorenza
Perez |
Teresa
Santos |
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Barro Negro (Black Clay)
Barro Negro has been
part of Oaxacan civilization for over 4,000 years, the techniques
passed down from generation to generation. Today, the same process
is still in use. Potters use a low fire, and throw and polish the
pots by hand.
The term "Black
Clay" might be misleading, since in fact the color of the native
clay used is red. It gets its polished black surface not by glaze
or paint but from the firing and polishing technique. Skilled potters
using a special firing technique, called reduction,
add fuel to the fire and then seal the kiln. Starving the fire of
oxygen produces a thick smoke that chemically combines with the
clay to form the black color. Prior to firing, the item is polished
with a smooth stone such as quartz. Many pots have a design that
is painstakingly cut out by hand.
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| BARRO
NEGRO ARTISTS: |
| Gustavo Mateo Calderon |
Miguel Fabian |
Felipe Fabian Pedro
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San Marcos Pottery
This classic reddish pottery comes from a small
Zapotec village in central Oaxaca where it is crafted by hand by
the women in the town.
It is a labor-intensive process that starts
with removing the clay from the nearby hills.
The clay is processed by hand and formed into
many utilitarian shapes as it has been done for generations.
The pottery is finished
by wiping a red-orange slip on the surface with a corncob before
firing in an open fire. No glazes are used each piece is
burnished by hand to give it a smooth, shiny appearance.
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Capelo
Ceramic pieces by Mexican artist Capelo are
in a class of their own. His original designs show a flair for composition
and color.
The pieces are crafted and painted by hand using
traditional majolica techniques (that go back centuries to Europe
and the Middle East). It is due to this tradition and the years
that Capelo studied in Portugal, Spain and Italy that these pieces
have a European feel.
Nuestra Tierra offers a wide selection of urns,
plates and vases by this award-winning artist. The excellent craftsmanship,
delicate painting and subtle and harmonious use of color of these
pieces are hard to resist.
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Talavera
Puebla's Talavera descended from Arabic-Andalusian
tradition and began in Spain in the ninth century, when the influence
of the Arabic culture was passed on to Spanish potters. In the 1500s
a number of Spanish potters from the city of Talavera de la Reina
arrived in Puebla, Mexico. The blending of societies allowed the
indigenous people to learn new techniques, and the combination of
styles gave new life to Mexican earthenware.
Today individual families of master craftsmen,
still performing the age-old rituals and techniques that have been
passed down through the centuries, perpetuate the craft. There are
only a few workshops that offer authentic Talavera pottery made
according to the craftsmanship legacy. Nuestra Tierra offers only
Talavera that is signed at the base by the workshop and contains
the DO4 certification number, indicating authenticity.
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| TALAVERA
ARTISTS: |
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Uriarte
Talavera de la Reyna |
Cesar Torres |
Santa Catarina |
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Tonala Pottery
Before the Spaniards arrived, pots were made
in the town of Tonala in Jalisco, Mexico. In Colonial times, the
potters were known for their brunido style, which some potters still
use today. After the influence of Jorge Wilmot in the 1950s and
60s, stoneware and other types of ceramics emerged.
Characteristic of the Tonala artists is the
detailed and elegant painting that adorns their work. Nuestra Tierra
offers pottery from a wide range of Tonala artists masters
of both traditional and contemporary styles.
| TONALA
ARTISTS: |
Jose
Bernabe
Jose Alvarez |
Ramiro
Alvarez
Juan Lemus |
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Santa Rosa Ceramics
Santa Rosa, Guanajuato is famous for its skilled
artists who make this colorful, hand-painted decorative pottery.
A wide variety of shapes-vases, urns, plates, bowls and trays-and
colors are available.
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